By Anna-Teresa Tymieniecka
Having demonstrated within the ontopoiesis/phenomenology of lifestyles the inventive functionality of the man or woman because the fulcrum of our beingness-in-becoming, allow us to now flip to enquire the artistic trademarks.
In this assortment, the momentum of a meeting "creative brainstorm" ends up in the vertiginous innovative transformability of the inventive trademarks because it ciphers throughout the aesthetic experience, the weather of expertise – sensing, feeling, feelings, forming – in artworks, therefore lifting human event into spirit and tradition.
Read or Download Logos of Phenomenology and Phenomenology of the Logos. Book Five: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics PDF
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Having validated within the ontopoiesis/phenomenology of lifestyles the artistic functionality of the individual because the fulcrum of our beingness-in-becoming, allow us to now flip to enquire the artistic trademarks. during this assortment, the momentum of a meeting "creative brainstorm" ends up in the vertiginous imaginitive transformability of the inventive trademarks because it ciphers throughout the aesthetic feel, the weather of expertise – sensing, feeling, feelings, forming – in artworks, hence lifting human adventure into spirit and tradition.
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Extra resources for Logos of Phenomenology and Phenomenology of the Logos. Book Five: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics
The face is that of a man sure of himself, contented, in peace with himself and the world. A parchment on the rear wall proclaims in Latin the personage’s proud identity. ‘‘What you see is the image of Georg. His eyes are so vivacious and identical is the form of his cheeks. In his thirtyfourth year, of the Lord 1532’’. Albrecht Du¨rer (1471–1528) lived the Italian renaissance to the full, with repeated stays in Italy and the reading of the contemporary masters, as well as the theoretical studies of Leonardo and the treatises of Leon Battista Alberti.
19 About 1470, Cefalu`, Museo Mandralisca. 20 See the entry ‘mistica’ in Karl Rahner, Herbert Vorgrimler, Dizionario di T eologia, Herder-Morcelliana, Rome-Brescia, 1968. 21 ‘Estrangement’ is a rhetorical ﬁgure identiﬁed by the Prague School in the ’thirties. It consists of an unexpected presentation of a well known and stably codiﬁed subject or argument. 22 1555–60, Florence, Palazzo Vecchio, Loeser Collection. 23 1506–1508, Wiener Kunsthistorisches Museum. 24 Umberto Eco, T rattato di Semiotica Generale, Milan, Bompiani, 1975, p.
El paso de la antepredicacio´n donativa y eferente de existencia, lo que somos siendo-ahı´-en por el hecho simple de existir, a punto precisivo de discurso interno de la conciencia, no queda al margen del existir y descubre, ma´s bien crea, como otro instante privilegiado de actitud suya natural – ser lo que se es – como su modo natural de acontecer percibiendo, crea, decimos, el modo ser del ente, un modo articulante. Es el verbum mentis de san Agustı´n, la palabra mental, el Logos plato´nico, ‘‘Das innere wort als Merkwort’’ o Merkmal einer deutlichen Besinnung, de Herder, marca reﬂeja comentada por Heidegger (1999: 15, 20, 128) en tanto ge´nesis y luz del ser y del conocimiento.
Logos of Phenomenology and Phenomenology of the Logos. Book Five: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics by Anna-Teresa Tymieniecka